Movie Reviews, Movies

Review – Crimes of the Future (2022)

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It’s weird that David Cronenberg has two movies with this title and yet they aren’t connected in any way. Putting that aside, a brief overview of the movie. In the future, mankind has dwindled in size and major parts of cities and civilizations are in ruins. While not specified how far in the future it is or what has happened, it is clear that society and people have changed in dramatic ways. Most people no longer feel pain. Those that do also have the ability to create new organs. In this world, surgery is the new sex as people experience relief and satisfaction from being cut open. Performance artists are the main example of this, such as Viggo Mortensen’s & Lea Seydoux’s characters. But a strange man approaches them to do a performance with a certain body and the new government is working with the Organ Registry to fight back against this man and his group.

I should start with my criticisms of the movie. For some reason, everyone speaks really softly. This isn’t that surprising as many Cronenberg movies seem to have characters speak softly. And there are scenes where that delivery works. But there are just as many scenes where it is difficult to make out what they are saying. There is one scene, where Seydoux’s character is speaking to the crowd watching the final performance of the movie. But the crowd are several feet away and are on higher ground. She should speak louder so they can hear her! There is a subplot that comes up in the movie that doesn’t really go anywhere. I do get what it is supposed to add to Mortensen’s character – someone who feels pain and grows organs only to have them cut out during his performances. It’s meant to push him towards where his character ends up regarding his personal beliefs. But the subplot just feels like it is unceremoniously killed off.

One thing I wasn’t expecting this film to critique is the art world. In this movie, anyone can do surgery. Which makes sense because the way it is done and is experienced by people, it is very much sex. But only certain people are seen as artists and seemingly give meaning to it. It took me a minute for me to adjust to how this is used to parallel the art culture of the real world. Mainly because it takes a while into the movie for the critique to become clear. And I think that might be my biggest critique of the film. You watch it for a while and it is definitely interesting and you want to watch where it goes. But for a while it leaves you wondering what exactly the point of the movie is. What is the message it is trying to convey? It takes until the third act of the movie for your brain to make the connection once Mortensen’s & Seydoux’s characters ask the mysterious man why he wants them to go through with his request for a performance. That request being to perform an autopsy on his dead son.

And from there, I transition to my biggest praise for this movie. When the movie gets to this point, your brain makes the connections very quickly. This movie is exploring how society and the world around us has affected the evolution of our bodies. The people growing new organs are seen by the mysterious man and his group as being the next step in what humanity is becoming. And while this mysterious man’s group has surgically altered themselves, the dead son is the first one to be born with the new organs and system. That is also when you realize that the new government and the Organ Registry want to discredit these people because if this revelation becomes known, who knows how people would react. Granted, by the time you reach this point in the movie, you would assume that everyone would actually not be too disgusted by that. But the way the government tries to find and shut down people in the performance art world or this other group is a form of control. And the government in the real world does have a history of wanting to control what can and can’t be done to our own bodies.

The third act revelation also adds more meat to a lot of characters – their journeys and their motivations. That’s not to say they aren’t good performances. Mortensen is great as always and Seydoux is just as good. Another standout is Kristen Stewart – all though, she doesn’t do a lot. In that way, her role is similar to Robert Pattinson’s in Cronenberg’s movie “Maps to the Stars”. They are definitely in the movie and they have some level of effect on the storyline. But they don’t have a lot of screen time and they do seem to be lacking some sense of closure. I would have liked one more final scene with Stewart’s character to gain a little more insight into her beliefs now that we know the full extent of what she was doing.

But Mortensen’s character journey is the main one to focus on. He is one of the most famous performance artists in this new world. But he is also secretly working with the new government to find and capture certain criminals taking things too far. He is a part of the world but he is in between how life used to be and what life is moving forward. There are multiple times where characters comment on how Mortensen’s character is trying to maintain control over his body through him letting his new organs be cut out before they take root. And when you get to the third act, you put together that this is him denying the changes that are already happening to him and mankind in general – whether he knows that’s why he is doing it or not. But when the end of the movie comes, he does find belief. He believes in what the mysterious group says about how their bodies are changing and what that truly means for them. And the movie ends with him making a decision that see shim embracing that ideology and finally experiencing total relief from the pain he has been feeling.

Sorry if this has been vague, I want to avoid spoilers as much as possible. But this is a movie where the main message is actually very provocative and it stays with you well after you leave the theater. It does unfortunately take a while for the message to be fully realized and there are parts that could have been improved on. But the good outweighs the bad in my opinion and is worth the watch.

Comics

A Look at Poison Ivy’s First Comic Series

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A big criticism of the modern comic book industry is that nothing seems to really change. Or when they tease change, it never truly sticks. But there have been a number of times where companies and creatives have really tried to do something new. Most of the time, these changes occur with the lesser known characters from their roster. One curious and interesting case of a comic book company trying to change the perception of a character is Poison Ivy. While originally created and presented as a supervillain for Batman, DC has recently been trying to push her as an anti-hero. Personally, I think that’s the right idea and is something worth pursuing. One of the biggest results of this push is the character’s own mini-series named “Poison Ivy: Cycle of Life and Death” released in 2016.

Published towards the very end of the New 52/ right at the beginning of Rebirth, this story was meant to have the character reconnect with her human side. The character is often portrayed as an ecoterrorist that values plant life over humans, gaining her powers after years of abuse and as the result of scientific experimentation. But there have been times where she finds herself at odds with what she feels she must do for the natural world vs what she wants for herself. This 6 issue story does explore that to a certain extent. She relocates to Gotham with a new identity and at a research facility. But her main goal while there is to experiment and create plant-human offsprings as surrogate children.

While she is successful at that, there isn’t conflict. The head of the research facility is murdered and she is in danger of being discovered by authorities. But the person believed to be dead turns out evil and now wants to use the cells used to create Ivy’s offspring to unlock immortality. Also, Ivy herself does struggle trying to determine the best way to provide and raise her surrogate daughters. The story ends with the bad guy being defeated with her offspring leaving Gotham to try being on their own. Even Swamp Thing – my favorite character of all time – shows up to try and give Ivy direction for what she should do now. And yes, I have a lot of idea of what DC should do with a Swamp Thing & Poison Ivy collaboration, but that’s a discussion for another day.

Overall, this is a solid story. Nothing truly memorable. But a fine read if you are a bit curious about it. I think the biggest problem with this story is that it tries to be something of a superhero story. Mainly when it comes to utilizing some of the story tropes of the genre to tell Ivy’s story. Like mentioned earlier, I love the idea of exploring her as an anti-hero. Someone with a more complex ethical code that’s connected to two very different worlds. DC hasn’t always shown the full strength of what she can do. But when they do, she is truly a formidable force. She could very well take over the world and wipe out humanity if she truly cuts off herself from her human side. But because she chooses to remain connected – mainly through her romantic relationship with Harley Quinn – that does set-up the potential for a lot of interesting character exploration. But telling it using superhero tropes isn’t really the best way to do that.

I like the idea of Ivy creating offspring that also share the same duality as hers. But since this is only a 6 issue story, they don’t have the chance to fully delve into anything meaningful. The offspring themselves are flat as a result. And when they leave Gotham to be on their own…I have no choice but to assume they are dead since they haven’t shown up since. Which based on what had been established about their biology, is the most likely scenario for them. If this series ran for a little longer, maybe they could have really tapped into something. But instead, it just sort of simmers. And underwhelming conclusion with a vague tease that will never be paid off.

At the end of the day, I don’t regret reading this. I feel like in the long run this might actually help convince DC to do more stories focused on her. Hell, maybe even an ongoing series. Because this story does start off on the right track and does present a couple of interesting ideas. But the stories will have to ditch the superhero clothing so to speak. That’s not to say there can’t be fights and villains, but it will need to be more experimental and creative with how the story is told. But I still stand by the fact that Poison Ivy has a lot of potential to truly be a powerhouse if given the chance.

Comics

The Journey of Renee Montoya

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The 1990s has become a surprisingly important decade for Batman. This decade saw the publication of two major Batman comic events – Knightfall & No Man’s Land. Both of them would have major influences on the character and mythos for years to come. Speaking of Knightfall, this decade would see the introduction of Jean-Paul Valley AKA Azrael who would take up the Batman name during that event. No Man’s Land saw the introduction of Cassandra Cain, the second woman to take up the Batgirl mantle. And the character who would star in the first Batgirl solo title. Tim Drake would be the star in the first solo Robin title which started during Knightfall. Let’s not forget Batman in other media. The film “Batman Returns” would become a fan favorite in the years following its initial release. The animated film “Batman: Mask of the Phantasm” was sorely overlooked but has become known as one of the best – if not the best – Batman movie. And of course, the show “Batman: The Animated Series” was highly popular and has become known as one of the greatest cartoon shows of all time.

The animated show is relevant to what this article is taking a look at. While the show’s biggest influence on the comics was creating Harley Quinn, there was another character that the show created that would make the jump to the medium. A character that when it comes to the regular citizens of Gotham, is probably the best representation of the best the city has to offer. That character is the cop, the vigilante, the badass known as…Renee Montoya.

As mentioned, she was a character that was created by the animated show, as a cop (and later detective) of the GCPD. But she actually was preemptively introduced Batman #475. Kind of similar to how the Adam West Batman show asked DC Comics to create a female character – Barbara Gordon as Batgirl – to see how people would react before introducing her on the show. It would later be established that she is the daughter of immigrants from the Dominican Republic, along with her brother. When she was later promoted to detective, her partner was Harvey Bullock. While he was a grouchy character, and someone who didn’t mind bending the rules to solve a case, Montoya was a sort of counter-balance. She’s someone who was supportive of Batman. In fact, she would later admit she became a cop partly because she was inspired by him.

During the events of No Man’s Land, Montoya was one of the cops who remained in the abandoned city of Gotham along with Commissioner Gordon. It was during this era should would act as the middle man between the remaining GCPD and Two-Face’s gang. Maintaining an uneasy alliance to help keep the peace in what has become Gotham. There were moments of genuine partnership, especially in the early days when Two-Face found himself helping out the people in the aftermath of the earthquake and Renee would lend a hand. Things were more tense as No Man’s Land went on however. Even reaching the point where Two-Face would capture Gordon and put him on trial for what her perceived as wrongdoing. Renee would convince Two-Face to actually execute a fair trial where the Harvey Dent persona of Two-Face would defend Gordon. The situation ended with Gordon being released.

Despite Gordon doing some morally questionable things during No Man’s Land and even refusing Batman’s help in the beginning, Renee would stick by his side and offer support. Which is why later on, after Gotham rejoined the US, she found herself on the brink of the abyss. Gordon had been shot, seriously injured. Renee went out to try and track down the shooter and seek vengeance. Thankfully she was stopped by Bullock before she could do anything. But it turned out that Harvey had leaked the shooter’s identity to the mafia when it was discovered the assailant was a part of the Witness Protection Program. This would result in him no longer being a cop. Some hated Bullock for doing what he did, others stuck by his decision. Renee was stuck in the middle. She was angry at what her partner did. But she can’t ignore the fact that she shared his anger at the man who shot one of their closest friends. Anger that would be fed as danger began moving in her direction.

Renee would be assigned a new partner, Detective Crispus Allen. He had more in common with Renee personality-wise compared to Bullock. All though he considered Batman a necessary evil, one that he wants to help the GCPD move away from. So he’s a little more by the books than Renee in certain areas of the job. But that won’t be a factor until later one. In the comic title “Gotham Central”, Renee found herself harassed by a rapist that ended up walking. It started with him suing her. Nothing that she probably couldn’t fight off herself. But then he and a private investigator discovered her big secret. Renee Montoya is gay and has been secretly seeing a woman named Daria. When he followed the two of them, Renee would confront him and make a threat to him if he ever went near Daria. The next morning, two major things happened. Renee’s stalker was found dead. But more importantly – a picture had been hung up in the GCPD showing her and Daria kissing. She had just been outed to the entire police force.

These two events combined and some more finer details made her the primary suspect and was put on trial for murder. Her brother – who had already known but still struggled with the knowledge – couldn’t convince their parents that Renee being gay wasn’t true. Disowned by her parents and several officers from the GCPD against her and throwing slurs at her, her only ally was Crispus Allen who was struggling to prove she was framed. But thankfully, the mastermind revealed himself as Two-Face. It turns out that he had fallen in love with Renee due to their working relationship during No Man’s Land. He orchestrated everything so that she would have nothing in her life except for him. Leaving her no option but to love him. In his delusion, he believed that her love for him during her darkest hour would be enough to “overcome” her sexuality. He had captured her during her transit from the courthouse to reveal this information to her. At first she played into it to try and lower his defenses. But then she fought back, the gun in his hand dropping to the floor. Both made a move for it, but Batman finally intervened. A part of her became angry at him because she was almost at the gun. But he told her that one of them being shot and killed was not an option. Still, her anger grew despite being rescued and her name being cleared.

Renee Montoya was someone who would still help the people of her community. Someone who worked hard to do the right thing and find justice. But ever since she was outed and her parents turned their backs on her, she began to spiral. At night, she was out at bars looking for fights. She began drinking just like her former partner Bullock. One night she found herself holding a gun and crying in her home, her girlfriend Daria trying to comfort her. A slightly more productive way of exercising her anger was going after a cop from the crime investigation department, Jim Corrigan. He is c op who sells crime scene evidence on the side for some money but the GCPD could never firmly prove his illegal activities. When his side hustle put her partner Cirpus Allen in danger of losing his job, she beat the information she wanted out of him. While he was cleared, Allen was angry that now the GCPD didn’t have a case against Corrigan. Renee would discover that since then, Allen had been doing his own investigation to try and create a solid case. However, he ended up being shot and killed by the man he tried to take down.

The GCPD went all in to try and finally nail Corrigan. But he manipulated the evidence and once again walked. So during the night, after taking a few more drinks, Renee broke into Corrigan’s home. She held the gun up to him until he dropped to the ground, crying and begging her to not kill him. Despite all her anger building up all this time, through everything that had been thrown at her – she couldn’t pull the trigger. She left him to cry on the floor. The next day, she turned in her gun and badge and quit the force.

Months went by. Daria ended up leaving Renee, unable to watch her spiral any longer. That only pushed her to drink more, seek out more women for sex meaningless sex. But at least it distracted her. She no longer knew who she was or what she stood for. Her inability to become a killer also made her view herself as a pathetic version of Batman. What’s next for someone who has lost everything and everyone that she considered important? Now that’s the question. And it’s also where the faceless vigilante Charles Victor Szasz AKA The Question enters the story.

The faceless vigilante recruits Montoya as he investigates a bizarre case that touches on various aspects of the DC world. During this time, it is revealed that The Question is dying from lung cancer. And the reason he reached out to her is because he wants her to take his mantle. But in order to do that, he must go through the same kind of training he did. Which includes her looking deep into herself and confronting all of her flaws. Finding some sense of inner peace. It at first seems like a nigh impossible thing for her to do. How can someone who has gone through so much hardship – including being disowned by her own parents – find a way to move past that? But Renee found what she was looking for. And so when Charles Victor finally dies, he feels at peace knowing that he did manage to help someone he called a friend in his final days.

The woman formerly known as Detective Renee Montoya is no more. She is now The Question. Taking on the corruption of the larger world in a way she never has before. Reuniting with an old flame, Kate Kane the Batwoman, and even briefly working together to take on the Religion of Crime. The faceless woman fights for those that have been exploited and abused by those in power, feeling whole for the first time in her life.

And then DC Comics decided to shoot itself in the foot and started the New 52 initiative. The purpose of the New 52 being was to reboot the entire DC universe and start all their characters from the beginning. We don’t have time to go over the entire New 52, but here is what is relevant. Despite there being no communication on what was or wasn’t canon anymore, referencing characters or events or stories that shouldn’t exist yet, Renee was back to being a detective at the GCPD. And yet, as DC moved past the New 52, they seemed to be unsure of where they wanted Renee in her story. In some appearances she was a detective on the force. In others she was The Question, even though I’m not sure if Charles Victor is supposed to be dead. And more recently, she is shown as the being the commissioner of the GCPD. It is all very confusing. But on the bright side, no matter what role she’s occupying, she is continuing the fight against evil.

At the time this is being posted, the character is celebrating her 30th year anniversary. But the real reason I decided to write and publish this piece is to show the true strength of what DC has to offer. We often stay focused on the superheroes like Batman or Superman or Wonder Woman. Those that put on a costume and fight against unfathomable forces. But there is a plethora of characters who are much more regular citizens that have some of the more inspiring journeys that the medium has to offer. A woman struggling with her identity, dealing with everyday crime, then losing everything that once defined her only to become more confident in who she is and what she feels compelled to do. The story of Renee Montoya is one that inspires and gives hope for all of us that we can be heroic. We have the capability of fighting back against the corruption and obstacles around us. And she shows us how we can improve on ourselves.

Renee Montoya – detective, vigilante, fighter, hero.

Movie Reviews, Movies

Review – Top Gun: Maverick

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Tom Cruise is back on the big screen in a movie many people are going to want to see. Decades after the events of the original movie, Pete “Maverick” Mitchell being assigned an important task. He must train and form a team of former Top Gun school graduates for a mission going into enemy territory. But one of the people he must train is Bradley “Rooster” Bradshaw, the son of Maverick’s wingman who died all those years ago. Tension runs high as Maverick confronts his past and makes sure these pilots are ready for their mission.

You might have noticed a trend going on in Hollywood in the last several years. A lot of films or movie franchises are being revitalized in order to cash in on nostalgia. Past movies that were active decades ago are now being followed up on in an effort to ensure a profit at the box office. A recent example of this, “5cream”, has coined the term Requel for this trend. A film that is both a reboot and a sequel. Mixing new characters as well as bringing in characters from the original or past movies in a film that is supposed to pay tribute to what came before but past the torch to a new generation. This type of movie became popular following the release of “The Force Awakens” and the trend has had mixed results.

But this is a bit different. This falls into a category that I like to call legacy sequel. Instead of this being a new long-awaited installment to a film series, it’s only serving as a sequel to one movie. And it isn’t meant to set-up more sequels but rather tell a new story in that world. An example of this subset of films is “Blade Runner 2049”. And this film does fit under that term. This isn’t a passing of the torch to a new generation as the main focus is on Tom Cruise’s character.

And in regards to Tom Cruise himself, this film is actually a solid reminder that he can still be a good dramatic actor. While most actors from his era would have started off doing action films then transitioned into more dramatic roles, Cruise has interestingly done the opposite. Gone are the days where he could have just as easily been in “Rain Man” or “Interview with a Vampire”. People watch him now to see him do his own stunts and to see what death defying trick he’s going to give us next. But Maverick in this film has dealt with and is currently dealing with a lot of complicated issues and baggage. Several moments in this movie you can see him put heart and sincerity into his lines and expressions. Don’t take this to mean he’s bitter. When we first meet Maverick in this sequel, he is still acting similarly to how he was in the original. But he has also matured in a way that makes sense. This is a performance that was treated with respect and dignity.

That’s not to say that everyone else isn’t doing a good job. All the pilots that Maverick is training put in the work. But we focus on a handful of pilots. Rooster is very good in this movie and the tense relationship he has with Maverick leads to some of the more dramatic scenes in the movie. But there is a pilot named Jake “Hangman” Seresin that does kind of steal a few scenes. You start off loving to hate this guy, but as the movie moves along he does end up being genuinely like-able and becomes a true friend and team player. Jennifer Connelly plays an old flame of Maverick’s who is back in his life and their relationship is also important to the story, but more relevant to Maverick’s character development. The love story in the original just felt like it was interrupting the movie and slowed things down. But in here, it does feel like part of the story and you enjoy the chemistry between the two.

And that’s part of what makes this movie better than the original. Yes, the flying and dog fights are amazing, a spectacle to behold and tense in the best way. But the story is actually better structured and improves on the weaknesses of the first. Despite the 1986 film being a hit, it did open to mixed reviews. And it is apparent why when you look back on it. There wasn’t a story focus to either tie in what was going on in the movie or even to push things forward. There is the rivalry between Maverick & Iceman, but they aren’t at Top Gun to train for a mission. Just to hone their skills. The love story as mentioned felt out of place and slowed things down. The volleyball scene – while iconic – just happens with no real reason why. And while there is a climax against some enemy pilots, that too just comes out of the blue with no build up.

But in this movie, all of that is changed. Right from the beginning we know that these pilots are being trained for a dangerous mission. The love story develops Maverick’s character. And while we might not have volleyball, we do get beach football. That scenes also surprisingly has a reason to be in the movie. This is a sequel that still carries much of the feel and atmosphere of the original, but has a far stronger dramatic element to enhance the story. It makes the aerial combat more intense to watch as you are invested in these characters and want to see them make it out in one piece.

One criticism of some of those requel films is that they oftentimes make the returning old characters bitter. That they are the old mentors who don’t want to be roped back in but must to help out the new characters. But that doesn’t apply here. Yes, Maverick does have regrets. But his personality is still intact. He does dangerous and reckless things, but with the purpose of preparing these new pilots. Trying to make sure they have the skills to make it back home. While some of the pilots are enjoyable and fun, the focus is on Maverick. This movie is supposed to show him finally finding closure and improving on relationships with people he cares the most about. Be prepared to go right along with him as he flies into the danger zone and come out happier on the other side.

Movie Reviews, Movies

Review: Dark City

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Stop me if you’ve heard of this one. A man wakes up in a water-filled bath tub in a sketchy room, with no memory of how he ended up there. Throughout the film, he is chased by an all-powerful collective that wants to maintain the fabricated reality everyone else believes in while the main character realizes the truth and gains powers during his journey. I admit it is a bit of a stretch to say the opening shot of this film is strangely similar to the opening of “Saw”. But the main talking point of this movie in the following years is how similar it is to “The Matrix”. It doesn’t help both films were released only a year apart, they filmed in the same city, and even shared sets. But I assure you that they are entirely different films, with my personal favorite being this overlooked gem.

The aura of this movie is instantly distinct from the previously mentioned science fiction-action based blockbuster. A lot of this film is influenced by much older movies, primarily those from the Crime Noir genre. The old TV show “The Twilight Zone” was even a major influence. While this movie can also be classified as science fiction, there is a Horror element that makes the story even more unsettling. And as someone who has seen his fair share of “The Twilight Zone”, it would be easy to believe this could have been a story from that show. But it’s more important to focus on the Crime Noir influence since that is the source of the movie’s themes and plot structure.

Let’s take a moment to talk about the villains in this movie, The Strangers. It is revealed towards the end they are an extraterrestrial species that kidnapped some humans and placed them in a city of their creation. It turns out their species is dying and they are curious about the Human soul. Or in more practical terms, the essence of what makes each person unique while also showcasing what makes the Human race in general different. The decision for them to study that is logical since they shared a collective consciousness without much room for individuality, which could be part of the reason they are dying. This also connects to themes often explored in noir stories. A lot of those movies have the characters explore human nature, what drives someone to do certain actions. Those movies often focus on the darker aspects of humanity and the cruelty that we can find ourselves capable of doing if pushed far enough. And those movies can oftentimes end on a depressing note as the main character can find themselves disillusioned and hardened by their experiences.

But this movie cleverly switches that around. Yes, the main character – John Murdoch – sees through the fake reality that has been created by The Strangers. Learns of how his life has been manipulated and how he has been forced in a sense to do things he most likely wouldn’t do of his own choice. But while one can call this being disillusioned, the movie would most likely refer to this as being enlightened. Now that he is aware of what is happening around him, he can utilize his mind to take control of his own life and future. And while the movie does make this literal with him having psychokinesis, it’s still an accurate way of portraying how that idea can be utilized in the real world. Just don’t expect yourselves to actually be able to create building with the power of your brain.

Another way that this movie turns a classic Noir trope around is the conclusion the main character comes to about Humanity. A lot of Noir films will end with the main character having a more pessimistic outlook on people and the world at large. But at the end of Murdoch’s story, he proves that the unpredictable nature of people is actually a good thing. When left to our own devices, we have the capability of creating a world and future that is bright and full of possibilities. The Strangers trying to figure that out through their experiment were never going to be able to fully comprehend that due to their own nature. Their experiment was doomed from the beginning. Even when one of them tries to form some kind of individuality it ends up ultimately being incompatible and kills him. Our free will is what makes us unique and so interesting. And with it, who knows what we can be capable of?

Film Editorials, Movies

Why the Pet Sematary Remake is Important

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The 1983 novel “Pet Sematary” is considered Stephen King’s darkest novel. It’s a story that follows a family that moves to a new home and not long after that, one of their children is killed. It’s an exploration of the heaviest kind of grief, connected to a fear that every parent has and an experience that they hope to never go through. When it was first adapted into a movie in 1989, it stood out for being a Horror movie more focused on emotion than physical violence. Most people really like the film and is considered one of the best Stephen King movies/adaptations. However, when the remake came out in 2019, it has a more mixed response. But I don’t think many of the criticisms are valid.

It’s easy to dismiss a Horror remake and just say it isn’t good or as good as the original. Hell, you can say that about any remake. And there are plenty of examples where that turns out to be the truth. But I think it’s important we keep in mind the quality of the original film as it was. There is a sense of dread and gloom in the film. But there were plenty of times in the original where it came at odds with some of the more campy elements/scenes of the movie. A number of them revolve around Victor Pascow, or rather his spirit because he dies in the first scene he’s in. But he occasionally pops up to offer a more comedic feel to certain scenes. And that can sometimes feel a bit jarring compared to the feel the movie is trying to go for. And there are moments where the acting from some of the main characters are kind of flat.

Keeping that in mind, the remake is actually a better made film in that respect. This version still has a sense of dread but we still have moments throughout the first part of the movie where we get to know the main characters and connect with them. Only this time it feels like the tone of the movie is more consistent. And the acting is also more consistent. Jason Clarke as Louis Creed stands out more compared to Dale Midkiff. The rest of the cast also does a great job with the roles they are in. While John Lithgow is certainly a different interpretation, he is still very likable and feels organic to the way the story is being told.

But now let’s get to the stuff really worth talking about – the differences in this version. In this scenario, there are two major differences in this remake that sets itself apart and is the focus of criticism. The first is the character Ellie Creed. She is the oldest daughter of the Creed family. Unlike her younger brother Gage, who’s still a young child. Ellie though goes to school and hold conversations with her parents. Even talking about some of her fears and anxieties that are more abstract. We get the chance to create an emotional connection that helps us understand and feel for her. She’s a bit more developed in this version than she is in the original film.

And then she dies. Which is a major change since in the original movie and book, Gage is the child who dies. When wandering in the street and a truck doesn’t stop in time. I understand why it was originally Gage who dies, since someone so young – basically still a toddler – is heartbreaking and unthinkable. But from a narrative perspective, it makes more sense for Ellie to die. We’ve spent more time with her and she’s an actual character in the movie. The impact feels heavier. Some may point out that it feels more planned since she sees her cat Church, resurrected from the burial ground and abandoned by Louis a couple of scenes ago,,and goes out to try and get him. I’m all right with that since the Pet Sematary is supposed to have an influence on the people near it and push them to use the soil. I’ll admit though that while we don’t get a close look at her body right after the accident, it doesn’t seem that bloody of a corpse. But I can forgive that since that’s a nit-picky criticism.

That’s what makes the next part of the story that more interesting – the first human resurrection. In the first film, it doesn’t take long for Louis to decide to kill Gage after his youngest child comes back from the dead. But it takes a while for him to realize what he’s done after Ellie comes back. He tries to clean her up when she comes back, she still treats him like the dad she loves. He even goes as far as to think showing his wife Rachel what he did thinking she would be happy about it. Having Ellie be the first one back from the dead makes the confrontation with Jud more interesting. Let’s face it, having Gage being able to take down Jud or any adult in the original film is kind of silly. But this works because not only is Ellie small enough to still sneak around, but she has the intelligence to emotionally manipulate. Her face transforms into Jud’s dead wife and taunts him, intimidating him and eventually getting the upper hand and victory. That same kind of emotional manipulation is also used against her dad when he finally comes back to his senses and tries to kill her. It works well enough to get him to hesitate, leaving room for the opening kill against him.

And now comes the other major difference in this version that’s a source of criticism – the ending. The novel has it where Jud and Gage are dead, Ellie is in Chicago with her grandparents, and Louis takes his wife to the burial ground thinking this time it will be different. It ends with him waiting at home, a hand then rests on his should as he hears her call him “Darling”. The original film is mainly the same. But it ends with the two of them making out – which the resurrected Rachel uses as a distraction as she grabs a weapon and starts bringing it down on him just before the credits roll. But it is very different in this version. Jud is still dead, that’s the same. But as mentioned earlier, Louis is killed in his fight against his resurrected daughter. But Ellie had killed Rachel and dragged her to the burial ground earlier, meaning it is the resurrected Rachel that kills Louis. Mother and daughter drag Louis to the burial ground. The next morning comes and all three approach the vehicle were the still living Gage is sitting in, and the undead cat lands on the hood looking at the young child through the window.

A lot of people view this as kind of silly. Some say that this change was only made just o lazily subvert expectations. I understand that mind-set, especially when several movies or TV shows seems to want to subvert expectations without thinking of a way to do it that makes sense. But let me point this out. Both the original movie and the novel is an exploration of how a tragedy affects a family. How that grief spreads and destroys everyone. In this movie…the grief doesn’t destroy. Instead, it consumes them. And yes, there is a difference. In the original version of the story, grief destroys the relationships between all family members. But this version keeps them united, while drastically changing their personalities and beliefs by extension. While the heads of the Creed family may have lost themselves following Gage’s death, Ellie is actually in the care of her grandparents. There is still hope that she can make something of her life and move on in the years to follow. But not in this story.

All of them have been drastically altered by the tragedy that befell them. Regardless of if they brought it on themselves or if it was unavoidable, they are not the same. The trajectory of their lives are forever altered. There are plenty of people in real life that expect their lives to unfold one way, but then something happens that forces them down a darker path. And sometimes they don’t recover. They just can’t move one and try to grow. They succumb to darker emotions and perspectives. That’s what has happened to this family. Whatever comes next for them, it is objectively far worse than what would have happened to them before the trauma. And seeing how often opportunities have been presented that would have stopped this from happening, you have to wonder if they even wanted to be saved.

And that’s why I think this movie is just as good as the original. In some cases, even better. I know I’m in the minority about this. But maybe you should give it another shot. After reading this, you might view the film a bit differently. Might even realize that it wasn’t a mistake to bring this story back to life.

Movie Reviews, Movies

Review: Doctor Strange in the Multiverse of Madness

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SPOILERS!

I have read a lot of comics. A large number of them deal with the more abstract and mind-bending elements that can be utilized and explored so well. And yet, my brain still can’t comprehend that there is a character whose legal name is…America. That has produced some funny lines of dialogue in the movie. And yet no one in the film acknowledges that her name is weird. That kinda works and leans into the unintentionally funny aspect of using her name. I just wanted to get that out of the way before diving into the review proper.

Doctor Strange finds himself protecting a young girl named America Chavez. She has the ability to travel throughout the multiverse and is being hunted by someone who wants her power. That person…is Wanda Maximoff AKA The Scarlet Witch. She desires her power to travel to a universe where she can be with her children and she utilizes the Darkhold for the dark magic that will help her achieve her plan. Strange & America try and find a way to defeat her as they travel through other universes.

One thing that has been talked about is how this movie is supposed to have consequences for Strange’s actions in “Spider-Man: No Way Home” and even his first movie. That isn’t exactly true. Those events aren’t explicitly mentioned in this movie. But this movie is supposed to have Strange realize that his stubbornness and need to be in control has put other people in danger and drives others from him. There is even a brief scene in the beginning where someone asks Strange if his plan to defeat Thanos was the best one, that there was no other way. While the people snapped did came back, this guy mentions how his brother had passed during those 5 years in between. It’s a moment of clarity that there are still people who will never be reunited due to how Strange’s plan unfolded. This is something that Stephen realizes and confronts by the time the movie ends. And that makes Strange one of the highlights of the movie.

One of the other major highlights is Wanda. I loved her as the antagonist in this movie. She has some great, intimidating scenes, really shows off what she is capable of. There may be a few people who aren’t quite on board with this development based on the finale of WandaVision. And I can understand where they are coming from. Personally though, I thought it made sense. Especially since she was pushed in that direction by the corrupting influence of the Darkhold. The other character that has a major role in this movie is America Chavez. She is…pretty much what you think she ends up being. The movie doesn’t really give her much room to establish a unique personality or stand out beyond being the person being hunted. That’s not to say I didn’t like her. She was fine and I see the potential for her in future movies. I just hope those future movies have her evolve and develop into a more interesting character.

There are a couple of things about this movie that keep me from really falling in love with the movie. While the multiverse is in it, we don’t spend a lot of time in other universes. We see glimpses of a bunch, sure. But only spend significant time in a couple of them. The trailers also showed that Mordo – Strange’s former mentor turned enemy – is back in the movie. But it is one from an alternate universe. However he is still pretty similar to the main Mordo. Which just makes it a little more frustrating that we haven’t followed up on that character since the first Doctor Strange movie. Finally, the first half of the movie does have some of the MCU traits that people are criticizing a bit more in recent years. All though there isn’t a lot of it and they are passed by fairly quickly.

With all of that out of the way…I gotta say, I still found a lot to really enjoy. Like previously mentioned, Strange and Wanda are two big highlights and I love their roles and arcs through the movie. But this movie is truly at its best when Sam Raimi is allowed to be himself as a director. There are multiple camera shots and angles that are unique to his visual style. Scene transitions similar to some of the transitions used in his Spider-Man movies. And of course – the horror elements in this movie will please Evil Dead fans such as myself. This creates some great visuals in the movie. Hell, there are entities called Spirits of the Damned and I’m totally convinced those are just the MCU’s version of Deadites!

I can’t say that I loved this movie. But I did find myself really enjoying this movie. Definitely something that I would revisit multiple times in the future. While it was shorter than I expected, it is kind of refreshing to have a lighter multiverse centered story as opposed to some others that go for the more epic feel and weight. I also appreciate how after something horrific happens, they usually don’t follow it up with a joke. They will let the weight of what just happened just be felt. Overall, it was worth the wait.

Comics

What the Future of Spawn Should Include

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Spawn is a pretty good representation of what the 1990s were in terms of look and atmosphere. The title has represented both the best and worst of what the era had to offer comics. But it was smart enough to recognize the bad stuff in the early days and phase them out. Regardless, the 90s style of the character and series is a big part of what made the character to so popular. What I’m referring to is action, dark atmosphere, violence, brooding, that sort of thing. But this book knew how to properly utilize and present it for the most part. These are all elements that connect to the heart of Spawn and what his stories are about.

But now that so much time has passed – achieving major milestones and now expanding with new books – it’s time to make some changes. I’m not talking anything major. The last thing I want is for this series and universe to become like DC and Marvel in terms of tone and approach simply because it’s trying to copy their success. Todd McFarlane knows how to handle his creation and make it distinct from everything else. And let’s face it, Marvel & DC have made more than fair share of mistakes in terms of creating content and guiding their characters. The one major change I’m suggesting is more about adding to the universe than taking anything away. Spend more time letting the characters…just live.

That admittedly sounds confusing, so allow me to explain. One of the new Spawn titles is focused on Gunslinger Spawn and his solo adventures. Brought into the present due to events in issues 300 & 301, this Hellspawn’s journey is about finding his way back to his own time while dealing with characters and events in the present. There is of course action and mystery laying out future potential storylines and enemies. But there have been several moments in this series that have taken me by surprise. There is a bit where Gunslinger is genuinely confused and curious about the existence of an indoor toilet. And he is perplexed about the existence of plumbing. This was a funny joke, but made funnier and more surprising by how logical it is. He does come from a time where something like this doesn’t exist. It makes sense why he would ask questions about something like this. Also, despite knowing how to study a map he admits he can’t read. Makes sense and is pretty humorous.

In a separate issue, it opens up with him learning from a woman how to properly hitchhike. She shows him how to properly hold out his arm and how to use his thumb. And when he gets picked up, he isn’t mean to the driver or just giving him the bare minimum of courtesy. It seems like the two of them had a decent time in each other’s company during the short trip to Gunslinger’s destination. He even shows some level of affection for a couple of the wolves guarding his stuff. Long story short, these are moments that help create a personality for the character that doesn’t advance the story. It creates small humorous, and sort of wholesome, moments that make it more fun and engaging to read.

The major thing I think the Spawn universe should do moving forward is to have more moments like these. Show what the characters are like, have them interact in ways that aren’t focused on missions and show them create friendships. Up until this point, we haven’t seen a lot of that. There was Nyx before she was killed in issue 300 – and yes, I’m still angry about that and want her resurrected. Right now in the King Spawn title. Al and Terry are working together, but Terry for sure doesn’t like being in that situation and their relationship is fractured at best due to their history. The new characters that are being introduced and focused on should be the main focus moving forward. Obviously we can’t get rid of Al, that would be going too far. But have more stories with Gunslinger Spawn and Jessica Priest and the rest where they have moments of them just being themselves. Bonding in ways that Al seemingly lost the luxury to have with his newfound mission to wage war on the supernatural forces trapped on Earth.

The best existing example I can use for comparison is the JSA from DC Comics. There were issues were the team members weren’t on missions and just spent time with each other dealing with the day to day stuff. Some of that if properly translated to the Spawn universe and breathe some new life and creativity that can help it evolve. I’m suggesting this because I don’t want Spawn to end. Hopefully we do get some of that down the road once the new titles have been around for a little longer. Here’s to 30 more – if not more – years of the Spawn universe!

Movie Reviews, Movies

Review – The Unbearable Weight of Massive Talent

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I’ve been looking forward to this movie for a while. Nicolas Cage stars as himself, a National Treasure. A man who makes a lot of movies, but we find out he isn’t The Family Man he once was. While his daughter is thankfully not a Valley Girl, she’s someone who clearly needs the presence of both her Mom and Dad. But every time Nic does show up in his daughter’s life, he finds work and is Gone in 60 Seconds. But things change when Nic Cage accepts an offer to go attend a birthday party for a wealthy man at The Rock that houses his estate. After flying Con Air, they bond by watching a movie (all though it wasn’t filmed in 8mm) and they take drugs created by a Color Out of Space. But then suddenly, Nic is recruited by the CIA and becomes and Army of One to spy on his new friend who might be behind a kidnapping plot. This leads to an intense Face/Off that also requires Nic to Drive Angry and Kick-Ass. And then Nic Cage has to become a real hero, escaping the wrath of a master criminal while making sure no one he cares about gets Left Behind. Also, he starred in Ghost Rider.

Now that we got that mess of a paragraph out of the way, let’s talk about this movie. I always find it amusing when actors play fictional version of themselves. Neil Patrick Harris playing a version of himself in the Harold & Kumar movie was probably the highlight of that movie. But Nicolas Case playing himself…my mind is still trying to process the insanity a performance like that can create. And this doesn’t disappoint. There’s a lot about him that does feel truly authentic to how he is in real life. Including some version of how the internet views him. But this movie also uses that perception of him to create an emotional arc for Cage in the film. That being how him always working has created conflict with his family, especially his daughter. And that is properly focused on and given some resolution that feels fulfilling.

And while that is good, that’s not really what this movie is about. Nicolas Cage is an actor everyone knows and loves. A wide variety of people were in the theater that I was in when I saw this movie. And that should go to show that this movie is a celebration of the actor and his work. This movie doesn’t make fun of him in a mean way or discredit any of his movies. In fact, it actually puts a brief spotlight on a couple of his films that I don’t think many people even recognize. Cage gets to show us the many reasons why so many people love him. His comedic timing, his dramatic expressions, his action skills, and so on. The movie itself is a blend of several different types of Cage films. But when we get to the action focused third act and climax, it does actually feel organic and not a drastic tonal shift.

The movie is well shot, has solid pacing. Many of the supporting actors are good in this movie. Honestly, the only other thing I feel like I can expand on is Pedro Pascal’s character. I totally believe him as this Nic Cage super fan that truly loves his work. He gets both nervous and excited to actually meet him and spend time with his favorite actor. And the two of them end up developing this touching friendship that does become the heart of this movie. I think he might even be a stand in for everyone who is a fan of Nicolas Cage based on some of the lines he says in the film.

I know it seems like I didn’t really do a lot to analyze the film. That might be because I know a lot of reviews for this film are basically saying the same things I am. But trust me – this movie is funny, exciting, engaging, and filled with genuine heart. Every fan of Nicolas Cage is going to see this regardless. Even if you haven’t seen a lot of Cage films prior to this, I have no doubt this will encourage to dive deep into the actor’s filmography. Let’s just all appreciate this actor and watch him does what he does best – be himself.

Movie Reviews, Movies

Review – The Northman

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Robert Eggers is one of my favorite directors currently working. This is only his third film, but he has already established a distinct style and tone that can be found in all three of them. They all also touch on similar ideas and themes that help develop their own worlds as something more mature and complex. And while actors from his past two films show up in this one, this one is more epic in scale than the previous films. And it is more violent, intense, and arguably more engaging than the past films. That’s not meant to criticize his past films, but is supposed to show just how hard the director has perfected his skills.

This movie focuses on Prince Amleth. It starts off with him as a young boy who witnesses his father killed by his uncle who takes the kingdom and the Prince’s mother. Amleth flees, promising to avenge his father, save his mother, and kill his uncle. The majority of the movie then focuses on him as a brutal warrior who puts a plan in place to destroy the life his uncle has created before finally claiming revenge. If any part of this plot sounds familiar, that isn’t a surprise. This movie is based on an old Norse poem that would later inspire the Shakespeare play “Hamlet”. But this movie makes sure to make the right changes to avoid obvious similarities and establish itself as it’s unique thing that’s authentic to the era it takes place in.

And that’s one of the strengths of this film. Robert Eggers spent a lot of time making sure this movie is authentic to the time period it is set in. Not surprising considering he has wanted to make a Viking themed movie for years. This authenticity also brings in a lot of bloodshed, which is wonderfully violent. When we see some of the things the older Amleth does, we see him commit acts that are as bad – if not worse – than anything his father or uncle have probably done. For example, for years he spends his time honing his warrior skills by joining the Berserkers. They are a group of Viking warriors that attack villages and sell prisoners as slaves. Not only do we see Amleth kill many villagers, including biting into the throat of an enemy, he watches as his fellow berserkers set one of the shelters on fire that is housing screaming children.

And I think that serves as an example as to why this movie is so interesting and more complex than it might seem. As time marches on and society progresses, what we determine to be honorable, courageous and morally right changes. I have no doubt there are people that can’t find anyone to root for in this movie. That they can’t find anyone they would call a good person. This movie’s protagonist hangs mutilated corpses on the side of a shelter as a scare tactic to psychologically get into his enemy’s head. But the time period this movie takes place in is not out time. Back then, it was seen as honorable to seek revenge on someone for killing your family, regardless of how much carnage it creates. Also, we are dealing with the same culture and mythology that has vikings. These aren’t the knights of the round table we’re dealing with.

Speaking of mythology, I do like the use of mysticism in this film. While a lot of effort was put into the film in terms of getting the look and feel down – as well as the culture and their practices – the mysticism does elevate it to that epic level. It kind of reminds me of some old Greek mythological stories I read back when I was younger. About how a hero would go on this epic adventure, overcome challenges, and claim victory with the aid of the Gods. And that’s how I view this movie. As a more brutal, realistic, complex, and intense hero’s journey.

Needless to say, everything about it is great. The acting is great. The characters feel real and they all keep my attention. Visually, it looks beautiful. And as mentioned, the violence is enjoyably brutal. It helps that the action is well done. This isn’t an action movie, but the way it is shot is intense and makes it stand out from how a lot of other movies film their action scenes. I honestly don’t know what else to say about this movie that hasn’t already been covered. If you are looking for an epic size film that is intense and dark, this is the one to go see.