Tag Archives: Blumhouse

Review – Halloween Ends

Well…I guess technically this title isn’t a lie. It is the end of this studio’s run on the franchise. But we all know that after a few years hibernation, this franchise & Michael will come back. The one rule that applies to Horror movie villains & Hollywood is that nothing ever stays dead. But I’ll give props to the marketing of this installment. The trailers and TV spots focused on the fight between Laurie & Michael without actually telling us what the plot is. I have to give credit for that. More trailers should try to actually keep their movies & shows in as much mystery as possible. Enough about that though, we need to actually discuss the film.

Four years have passed since the events of the previous two movies, as well as the last time Michael was seen by the people of Haddonfield. Laurie & Allison are moving on as best as they can, trying to reclaim some resemblance of normalcy. Then one day Allison runs into a young guy named Corey who due to a freak accident, is viewed by many people in town to be a monster himself. But Allison sees the good guy he is trying to be and the two form a connection. But something seems to have start encouraging Corey to give into his darker impulses. To embrace the darkness in in and get back at the town that has tortured him for son long.

Honestly, the story and stuff surrounding Corey is some of the best stuff seen in this franchise. It’s really fascinating to see a character like and get a chance to explore some questions that can relate to this franchise. What makes someone snap? Is evil created or is it always around, waiting for the right chance to come out? The actor who plays Corey does a great job portraying someone dealing with inner torment, struggling to find some meaning in his life and figuring out how to move forward. And I enjoy his connection/romance with Allison. Granted, it is a tad rushed considering how long the events of this movie take place. But a lot of movie romances are and it doesn’t really harm the story.

One connection Corey has that is more interesting though is the one he has with Michael. I’ve never seen Michael act this way with anyone from any of the previous films. It’s genuinely new and still manages to keep him intimidating. And while the people behind this specific trilogy never outright confirm Michael is supernatural, I personally think it’s the only way to explain some of the stuff he does over the last few films. Especially when it comes to a few choice scenes from the first half or two thirds of this installment. And yet this specific depiction feels much more natural for Michael than whatever they were doing in something like Halloween: The Curse of Michael Myers.

But you are probably wondering about the actual climax of the movie. Laurie & Michael have another clash, obviously. And while I feel like it’s still a kind of repeat of the 2018 film, it does admittedly feel different enough to feel exciting. As for what they do with Corey towards the end, I do feel unsatisfied. The movie was playing up that Corey might become the next Michael Myers, and I was actually on board for that idea. But the way he meets his end feels like it goes against what this movie – and what this trilogy – was about in terms of themes. They could have easily changed the way he died. Do it in a way where maybe Allison does bring Corey back just in time for him to go up against Michael, a depiction of love & kindness being stronger than evil. Corey could still die, but Michael will be weakened enough where he can still meet his fate at the hands of the Strode family.

But that version of what I wanted didn’t play out. The actual fight between Michael & Laurie is, again, still fun to watch. And the actual clash does feel conclusive. But what happens following that clash is a twisted funeral procession that feels really silly. It does harm the movie and is one of the more noticeable weaknesses of the movie. A few others include how this movie – like the last one – has too many scenes of people talking about the original film and the past two films. We already know the events of these movies! Stop wasting time repeating stuff that we’ve already re-watched in anticipation of this movie. And there are still scenes where it goes for comedy but it feels tonally jarring. That’s an issue that has persisted throughout this trilogy. The 2018 film manages to not be harmed by that problem, it’s more persistent in Halloween Kills where it still somehow manages to make it at least an enjoyable, entertaining mess. But here, it just feels awkward.

At the end of the day though, this is still better than Halloween Kills. It’s still one of the better sequels to come out of this franchise. This trilogy would have been stronger though if these filmmakers took more time to really plan things out. Spread out ideas and development across both of these movies and make it feel more connected. Because while Halloween Ends is a solid movie, the trilogy overall is pretty weak. But that shouldn’t stop you from checking this movie out. I know a lot of people feel like this was unsatisfactory for one reason or another. But for what it is and what it does successfully do, I was able to enjoy it – the good stuff, the awkward scenes, & the bloodshed. All the way to the end.

Review – Black Christmas (2019)

The original 1974 film is one of the earliest Slasher movies. It’s influence can be felt in other classics such as John Carpenter’s “Halloween” & Wes Craven’s “Scream”. It had smart writing, a tense atmosphere, and one of the most ominous endings from the genre. In 2006, the first remake came out and it was decidedly not as good as the original. It wasn’t scary, smart, or subtle. But it was unapologetically sleazy and had some solid gore. So if you were looking for a version that had that, this would certainly entertain. The reason I’m informing you about these other films is to help illustrate how Blumhouse’s remake has no redeeming qualities.

Right off the bat, the PG-13 rating needs to be addressed. I’m a big fan of Horror and I will be one of the first to tell you that a film doesn’t have to be rated R to be good. But you need to know how to utilize it with the right sub-genre. Supernatural Horror films rely more on unsettling imagery which doesn’t have to be drenched in blood or gore. Psychological Horror films force us to watch the mental torture of a character without having to be graphic. But Slasher films are famous for how much blood and violence they have. Even if you were to watch one of the most standard by the numbers Slasher film, there’s a good chance you can still find enjoyment in the kill scenes. But with this version of “Black Christmas” having a PG-13 rating, the kills have no bite/impact.

But to be clear, that is the least of this movie’s problems. It’s clear that the primary focus while making this movie was to have social commentary. Badly written and executed commentary. Thereby leaving us with a bizarre story with dull characters that have no personality. I don’t even remember any of their names. Also, there are a few characters that we are supposed to root for that I don’t even like. One of the main characters has active social causes to pursue. Such as starting a petition to get one of the college professors fired. She pushes one of her friends to do a talent show performance purposefully meant to get a reaction from the fraternity members hosting the show. One of them being the guy who sexually assaulted our main lead, Riley. But then Riley’s friend posts their performance online without consent from any of her friends, which has lead to them being harassed online or getting threatening calls. Why am I supposed to root for her when she does something like that?

The dialogue of this movie is also a huge concern. We get a few different conversations/arguments regarding sexism in society and in institutions, which is what you would expect going into this film based on the trailer. But everything they say are just surface level statements and buzz words. When they do get into arguments, they don’t go into any deep discussion. It’s just phrases you could pull from a similar argument from any social media site. But let’s put the social commentary aside. There are several scenes where we get huge exposition dumps that have to explain everything that is going on. In a manner that insults the intelligence of the viewer, as if we can’t follow along and make connections ourselves. And several points in these exposition dumps make you wonder how even the person explaining the movie has come to those conclusions for parts that didn’t witness themselves.

And then there’s the climax. It starts off with the main lead, Riley, being kidnapped and brought forth a secret society made up of the fraternity and lead by the college professor her friend was trying to get fired. In another exposition dump, it is established how the founder of the school apparently knew how to do Black Magic and enchanted his bust to have future followers of his beliefs to be possessed by his spirit. Actually scratch that – since it’s black goo the movie clearly is showing it’s supposed to be a stand-in for toxic masculinity. And of course the leader of this society goes into more detail about how they plan to “put women back into their place” and establish man’s rightful place once again.

This…this is the part of the film where everyone should be insulted. For the average movie watcher, this plot and the commentary is so painfully obvious and ham fisted, the only way they can enjoy it is a “so bad it’s good” film. But it is also an insult for anyone who has seen the original “Black Christmas”. The original movie included a plot of how one of the character’s was pregnant and how her boyfriend who wanted to drop out and marry her becomes angry she doesn’t want to do that. That subplot was integrated into the other mysterious happenings that made it seem like that person was the killer until the climax when it was confirmed he wasn’t. The way that movie approached that topic and wrote it is a great way of showing how a Horror movie can be smart. This film has no room for subtlety or nuance as it devolves into this big action fight scene. And it ending with the girls locking all the guys in the burning building as Riley looks at it and smiles. Except…during that climax, we saw that when some guys broke free from the supernatural influence, they didn’t have any idea what was going on. Implying that they weren’t actually in control of their actions or consented to any of this. And they were left to burn alive with the rest. And how do you think they are going to explain what happened to the police? They have to be involved when a college is set on fire. And that shot of Riley smiling at the sight just makes her seem like a psychopath.

Here is the best way I can show you the difference between the original and Blumhouse’s remake. Both share a scene of a character going to the police to report a disappearance of a friend. In the original, the place is full of people and a couple of officers trying their best to get through as many of them as possible. When the girl tells an officer about a missing friend, the officer suggests possible scenarios that in theory are plausible but continues to not fully listen to her. This could be interpreted as a form of sexism in not taking a woman’s claim seriously, it could be interpreted as just a busy officer going through as many people as he could on a busy night. But the movie leaves it open for how you view it. In the Blumhouse film, it is a completely empty station save for one police officer. She has his full attention. But when she tells him she thinks her missing friend is in danger, he just laughs and comes up with flimsy scenarios for what he thinks is going on. Are there officers in real life like this? I don’t doubt it. But it is on the nose and painfully obvious what the movie wants you to think.

This was a painful movie to watch. Not scary in the least. A lazily written story with uninteresting characters. Insane logic and twists that you have to laugh it in pity for the film. It’s frustrating on every level.