Tag Archives: Indie Comics

Comics

Is Archie Horror A Success?

Leave a comment

You are probably familiar to some extent with what Archie Comics is typically like. Archie and his friends in Riverdale getting into comedic, almost sitcom-like scenarios for some casual fun and shenanigans. They can be fun and cute. But…what if they wanted to tell darker stories with these characters? Do some scary stories that haunt the reader and put the characters in real danger. Well, a lot of people over at Archie Comics were probably thinking just that, because in 2015 they launched the Archie Horror imprint. Basically their version of DC’s Vertigo or the Marvel MAX imprints, the stories published under Archie Horror will tell darker stories outside of the main universe. And it has gone on to print it’s fair share of titles. Some of them I’ve already covered in separate pieces, but let’s just go over the main highlights.

The first official story from this imprint is Afterlife with Archie. It begins with Jughead’s dog being run over, the grieving boy going to Sabrina for a spell to bring him back. She does just that, but the spell goes wrong and soon zombies descend on Riverdale. It became a very well-liked story and inspired the company to go ahead with another title called Chilling Adventures of Sabrina. Taking place during the 1960s, we follow Sabrina Spellman as she starts to become a true witch and the chaos that brings into her life. Both of these titles technically began before the official creation of the imprint, but these are referred to as the first to come from Archie Horror and are probably the most famous titles. And both of them are very enjoyable, with dark atmosphere oozing from every panel.

There is one story that technically wasn’t published under the imprint but I will argue belongs under it – Archie vs Predator. I’ve already talked about this story and it’s sequel in their own posts, so check them out for more details. But both of these stories focus on the characters being forced to confront a creature that brings an unprecedented amount of carnage and destruction to their world. Worlds collide, characters die, and nothing was ever the same. Two great mini-series that brought a lot of entertainment and a fair sense of genuine drama and heart. Mini-series are kind of specialty of the imprint, another example of that being Blossoms 666, which I also covered in a separate piece. That one is admittedly not as great as some of the other mentioned titles. But it’s still an enjoyable read of the Blossom children feuding over who gets to be the Anti-Christ.

But let’s get to the longest running titles from the Imprint. First, there is Jughead: The Hunger. Originally just a one-shot, it quickly became an ongoing title. Jughead is revealed to be a werewolf, the newest member of the Jones family to become one. But it turns out Betty’s family has a long history of hunting the Jones family and werewolves in general. There is some genuine drama between Jughead, Archie, and Betty who starts off as an enemy but slowly becomes an ally. The second longest running title is Vampironica. The story starts off with Veronica seemingly being turned into a vampire and now must work with her friends to stop an evil blood-sucker from turning the entire town. But it later turns out that the Lodge family is the most powerful vampire family in America, creating inner conflict for Veronica as she must go head-to-head with one of her ancestors later on. Both of these stories actually had a crossover mini-series. It was advertised as versus story, but that isn’t entirely accurate to what actually happens. However, it was still great to see characters from two different yet similar worlds interact.

These are the most well-known titles to come from the imprint. But now we must ask the question. Has Archie Horror been successful. Well…yes and no. A number of these titles will go on to have influence on the comic book company in general. The TV show Riverdale has an atmosphere that does closely resemble the atmosphere in several of the imprint’s titles. And the Chilling Adventures of Sabrina title got it’s own show. But it’s difficult to determine if the imprint has long-term success. The previous mentioned Sabrina series is about to have a second trade released, but it will only contain 3 issues as opposed to 5 issues in the first trade. This is due to the release of future installments being repeatedly delayed. While Afterlife with Archie was turned into an ongoing title, it’s still advertised as a graphic novel with just the one trade collection. There are additional comic issues but there isn’t a widely available trade collecting these issues and it also has faced repeated delays.

And as mentioned earlier, the title mainly focuses on mini-series. While Jughead: The Hunger & Vampironica have been the longest running titles, there hasn’t been any recent follow up with the characters. The Jughead title came to a pause after the crossover with Vampironica. And while the young Lodge vampire did continue for a little while after said crossover, it also came to a pause despite clearly setting up for more stories. I think I heard there is a one-shot that will focus on the Jughead: The Hunger characters, that isn’t the continuation a lot of fans wants. The imprint does struggle with keeping to a schedule and maintaining their popular titles. Part of this can be explained by writes & creators being involved with TV shows and other projects. But the imprint should realize that it needs to commit to publishing trades of their stories to keep interest in their brand.

Despite these issues facing the imprint, all of these titles are worth checking out. The Season of Evil never ends for Archie Horror. Pick up one of currently accessible trades and read what they have to offer. The imprint has such sights to show you!

Comics

Archie vs Predator II – The More Bizarre Sequel

Leave a comment

It’s not uncommon for different comic book companies to have multiple crossovers. Hell, Batman and TMNT have had three crossovers. But to give “Archie vs Predator” a sequel seems like an odd choice. The original story left the town destroyed and only three survivors – Betty, Veronica, and the teen Predator now physically transformed to look like Archie. It doesn’t seem like there is anywhere left to go after an intense ending like that. But it turns out there is one path. Make it bigger but even more insane than first by doing whatever you want.

Right from the first page of this story, you know your in for a wild ride. Because both Betty & Veronica break the Fourth Wall and speak to the reader! To be fair, I’m not a regular Archie Comics reader. And I don’t really read the main series. But this is the first time I’ve heard of any Archie comic turn full Deadpool like this. But shortly after that, they actually introduce an idea that’s actually kind of cool & clever. Apparently, the characters of Riverdale just have to walk down Memory Lane – an actual street in their town – and it resets the town and the residents back to normal. There are details later on in the story that make me question how much they actually do that and how that actually works. As well as question if that’s always been a thing. But it for sure was utilized in the story “Archie Marries Veronica/Archie Marries Betty” about a decade before this story. And it does help a long-running comic series like Archie maintain the status quo while still keeping a bunch of random events canon to varying degrees.

But when they try to do that, it turns out the road is closed. And they immediately recognize this as them being canceled. So…there is one thing to note about the original “Archie vs Predator” story. Around the time it was being published, Archie Comics was planning a relaunch of their Archie title. Restart from the beginning and have a modern take on their characters. And when the last issue of “Archie vs Predator” came out, the first issue of their relaunch came out roughly within the same month. You can quite literally say that the original crossover killed off the Classic Archie Universe. But there is good news – all three of them get in a car and find themselves in the new modern Riverdale with their modern counterparts! We have straight up entered the multiverse within the first issue of this story!

And when I say their other counterparts are modern, I mean that their actual modern title has them more grounded as well. They have no experiences with the supernatural, aliens, or anything like that. And when you hear the stuff that Classic Betty & Veronica – including summoning THE DEVIL! – it does make them come off as crazy and over the top. But the modern counterparts to agree to help them figure out what is going on. That is, until a bunch of other Predators show up with their dogs to attack everyone at the Halloween Dance.

Time to tackle the Predator aspect of the comic. Our teen Predator spends the time in Classic Archie’s body, but it’s not the Predator’s head on top. Probably due to the skin breaking off due to the shape and size of the Predator’s natural head. In the original story, the comic would occasionally give him text balloons that only had emojis in it. It was a neat way of getting across the gist of what he is trying to communicate. This is utilized a bit more in the sequel and it does flesh him out a bit more. Doesn’t make him the most complex character, but adds a bit extra to him. The other Predators in this comic are great. But there is one flaw that is hard to overlook. In this comic, the art is more in line with the art used for the modern Archie Comics. Specifically, more in line with what you might get from the Archie Horror imprint. It works for the most part. But the art does make it hard to tell what species these other Predators are. Since our main Predator is a teen, these could just be older members of his race. But since they have their dogs, these also could be the Super Predators as seen in the movies “Predators” & “The Predator”. The art doesn’t do a great job of clarifying that for the readers, but I think they are supposed to be the Super Predators and I’ll explain why later.

Classic Betty & Veronica are trying to figure out how to help. They start trying to text people they used to know back in their universe to see if any made it. And that includes Frank AKA THE PUNISHER! You see why I question how often they use their walking down Memory Lane trick or how it works? It befuddles me why Frank would want to stay in touch with a bunch of teens in a town from a different comic book company. But that’s not the most surprising thing that occurs with our main ladies. As they are hiding from the Super Predators during their Halloween Dance massacre, there is a moment that actually took me by surprise. Classic Veronica saves Classic Betty’s life and admits to how she probably wouldn’t have saved their Archie in the same way. But then Betty gets Veronica to admit that Archie hasn’t actually been her romantic focus in years. And then Betty brings Veronica in for an embrace and kisses her forehead. From the way it is drawn in the comic – combined with a couple of other moments of interactions later on in the story – this is confirmation that Classic Betty & Veronica are attracted to each other.

I feel like this could have been a divisive moment depending on what kind of Archie Comics fan you are. The brand and title have historically been defined by the love triangle of Archie, Betty & Veronica. And while certain writers might have slipped in a joke that generally links this kind of romance between the ladies, I’m not aware of anything significant to support the theory that the two are non-heterosexual. And there is something more unique about having two girls with a strong bond like Betty & Veronica’s be strictly platonic. But…there is a strong argument for how the two of them always fighting each other yet still be friendly did lay the seeds for a realization for the two girls. And they are teenagers, which means they probably didn’t even realize who they really are in that sense quite yet. Speaking for myself, I’m fully behind this relationship pairing. Even if it is for just this story that – unlike it’s predecessor – isn’t technically canon. At least for the more modern version of the Archie title.

Anyway, while all the modern Riverdale counterparts are fighting for their lives, Classic Betty & Veronica try summoning the Devil. And he arrives and recognizes them from their own universe! Although I think in the Classic Archie-Verse, he’s referred to as Mr. Inferno. As they helplessly watch the final explosion happen with their teen Predator friend who survived, Veronica & even Betty talk about how much this miss their old home and how these modern versions might even be better than them. Mr Inferno surprisingly enough actually gives them genuine advice. He tells them they should stop being stuck in the past, trying to reclaim their glory days, and move on to new adventures. Turn into the Betty & Veronica they can truly be. And with that, Mr. Inferno resets the Modern Archie-Verse back to normal, erasing the events of the comic for them. But Classic Betty & Veronica, along with their Predator friend, are adults living in New York. And the two ladies admit that they don’t miss being eternal teenagers.

This is definitely not what I was expecting for “Archie vs Predator II”. With all the references to past events in Classic Archie and they way it’s presented, it kind of has the vibe of a Grant Morrison story. The writer of both of these crossovers, Alex de Campi, admits to how she kind of became a bit meaner & cynical in between the two crossovers. She’s a fan of the Classic Archie title and the bizarre things that happened in their continuity. But to try and do a similar yet different story that involved the more modern version was a tough thing to figure out. So she essentially turned it into a love letter to the Classic Archie-Verse. As well as tell a meta-story about growing up and finding your place in the world. This is why I think the Super Predators were used in this story. Even though the Predator films never went through a full on reboot/remake, the Super Predators were introduced in recent years and could be seen as the studio finding a way to reboot the idea and creatures. So the teen Predator fighting back against them can be seen as the original version of the creature as we know it still maintaining it’s status and fighting back against being changed to that degree.

But the commentary about growing up despite drastic changes is stronger in regards to Betty & Veronica. Which makes this story surprisingly have a lot of depth. From the first which was a surreal and delightfully twisted slasher story to this story, a bizarre multiversal coming of age story about growing up and being more sure of yourself. Again, not what I was expecting at all. But I’ll admit that this is far better than it had any right to be.

Comics

The Predator Hunts…Archie?!

Leave a comment

Archie Comics has had a number of crossovers featuring their title character. Archie has met The Ramones, TMNT, Glee, The Punisher…just to name a few. And recent years have shown the company isn’t afraid to get more experimental when it comes to their characters. And thankfully, that applies to their crossovers. But even though Frank Castle traveled to Riverdale, I don’t think anyone was expecting this to actually materialize. Friends, allow me to tell about the time Archie and his friends went up against…The Predator.

First things first – yes, it did take me until after I finished the comic to realize this comic can be spelled as AVP. I’m not mad, the first AVP film is underrated. But enough about that. It is truly bizarre that Dark Horse Comics (who owned the comic right to the Predator franchise at the time) was willing to do this. But one thing that took advantage of that shock was the art work. The style used is very much the traditional style utilized for Archie and his crew. This cleverly lulls you into a false sense of security and familiarity. Even when the hunter begins killing people in the first 2 issues of the 4 issue mini-series, it still feels like that somehow our main characters are going to come out of this okay.

Speaking of which, let’s talk about the characters. Even though the title is “Archie vs Predator”, our main human focus is on Betty & Veronica. Although slightly more on Betty because the Predator turns out to have a crush on her. Yes, seriously. The comic points out that this specific hunter is a teenage version of the average Predator. And they are able to establish that because apparently they have been coming to Archie’s Earth for years and the government knew they existed. Now I’m developing a theory about how this comic takes place in the same continuity as the Predator movies. Anyway, Betty actually does get several moments to shine in a weirdly darkly comedic way. Veronica is more of a supporting character in a few scenes because of that. But she makes contributions to the story, both good and bad. Bad in the sense that she got Jughead to dress up like her in an attempt to lure out the Predator as part of a trap. That did not work. Side note – the teen Predator also has a crush on Veronica.

But let’s actually get to the other person mentioned in the title – Archie. The ginger does try and take some sort of leadership as the conflict reveals itself and begins to escalate. He goes up against the alien a couple of times over the course of the series. But unfortunately…he’s killed. Yea, the Predator actually wins the title fight and survives to the end. There was an Afterword in my copy that talked about how the team were uncertain if they should kill off Archie, for fear it would seem repetitive of the then recent “Death of Archie” story. But they ultimately decided that as long as he wasn’t shot, no one would really mind. And I have to hand it to them, I didn’t think that would actually happen. Archie is killed off along with most of Riverdale and the recognizable characters.

That is except for Betty & Veronica. They do in fact survive due to the teen hunter’s surprise affection for them. And after he does help them escape an explosion, it seems only fair to thank him…as well as get a little payback. So Betty uses an advanced medical room that Veronica’s father has to not just heal the Predator’s wounds, but also TURN THE PREDATOR INTO ARCHIE! Remember how I mentioned Betty has a handful of darkly comedic moments in the comic? Turns out that’s because she is secretly unhinged! But I guess that’s predictable when you spend decades in a love triangle with two of your closest friends. That surprise is certainly insane but also manages to fit into the surreal tone and fun experienced throughout the mini-series.

Is there anything worth criticizing? If I’m going to be nit-picky…there are a couple of things. A character named Dilton has this weird speech about how he’s been jealous of the attention Archie always gets from women and how he’s the only one of the friend group that never seems to ever date or be asked out. And that leads him to reveal a robot suit he made in his free time where the head is a replica of Archie’s. It’s weird and bizarre but more in a something is off and goes against the story kind of way. And Sabrina Spellman has a small role in one of the issues. The way the comic portrays her is weird. I think they were going for a version where she comes off as a weird and disturbing goth girl. But it didn’t feel at place in this specific story.

But putting that aside, this is highly enjoyable! There is plenty of blood and violence to satisfy any Predator fan. Seeing Archie and the gang try and be action heroes is certainly enjoyable for Archie fans to see. And the ending is so delightfully twisted! Please seek out and read this comic.

Comics

The Bizarre Meta Issue from Spawn’s Early Days

Leave a comment

It’s hard to predict what will become popular in the entertainment industry. There have been so many instances where studios tried using a movie to launch a franchise…only for it to die before it even got a chance. And then there are the movies and shows that became popular out of nowhere – or despite the obstacles they had to overcome. The same can be applied to the comic book industry. At the time, I imagine only Todd McFarlane believed that Spawn would have lasted this long and continues to go strong. But that doesn’t mean he kept that to himself. He let his belief become public knowledge in the tenth issue, released back in May 1993.

In the previous issue, Al Simmons had his first fight with an angel named Angela. Spawn managed to lure Angela into a trap and defeated her. But she had left her lance in the New York alley. When Spawn went to grab it, he is seemingly transported to another place. And that is depicted in issue 10 and it gets a bit weird. The issue has these narration boxes coming from Al’s point of view. Only, it also isn’t his point of view? He’s both the Al/Spawn of his world but also the one of this alternate world too. I think the narration continuously confusing us about this is supposed to enhance a dream-like feeling of this other world. But it only makes it confusing on who exactly is supposed to be telling us what is going on.

Moving on though, Spawn goes out and finds this cave that turns out to be a prison. One one side of the wall, there are a bunch of unknown people with hands behind their back and bags covering their heads. On the other side is the actual prison. Out from the bars are this arms for all of these superheroes. None of them are actually referred to by their official names. But the way Spawn describes this group of heroes and the designs of these outstretched arms clearly indicate they are heroes from both Marvel & DC. There is even a figure that falls just sort of outright confirming it’s Superman, but referred to as “He-Who-Came-First”. They all give Spawn their power so that he can try to free them…only to fail. Oh, and we also see a female version of Violator wearing a dress made of money. Not much else to say about that.

This also counts as a crossover because this character named Cerebus arrives in this issue. I’ve never read any of Cerebus’s comics so I don’t know enough about him to give an opinion about the character. But he explains to Spawn this is a world where superheroes have been sold by their creators. That is, with the exception of this world’s Spawn. Cerebus takes Al to a home that belongs to him and to this world’s Cyan. It ends on this bittersweet moment where Al goes downstairs holding his child to greet his – or this world’s – Wanda.

So…there are a couple of ways to view this issue. Let’s look at it as if it’s 1993 and this just came out. It must have taken big brass balls to release an issue like this – and for a series that’s still technically within it’s first year of publishing! But this actually does connect to why Image Comics was created in the first place. There were artists in the comic industry that were frustrated with how they were treated by the two big companies and how their work was owned by them and not by the creators. You could read this entire issue as a big middle finger to DC & Marvel. Doesn’t necessarily excuse the awkward writing, especially with confusing narration. But I’ll grant that this was written with courage.

Now, let’s view this from the modern era. And I have to say that this is…an amusing issue. Still has flaws when it comes to the writing. But it does read differently given everything that has happened with Spawn in recent years. Spawn has run for over 300 issues, even earning the title of longest-running creator owned comic book series. It has now launched 3 new titles in an effort to created a shared universe. And the first issue of each of those titles has broken different sales records. This is no small feat for this industry, where the two leading companies are constantly restarting series with new number one issues and struggling to maintain a consistent direction for any number of books.

This issue is by far the most meta Spawn has ever been. But it came out at an awkward time. Not only was the writing for a lot of comic books at the time – especially from Image – awkward, but it was for a comic that had yet to prove any staying power. Yet in time, it has actually become something of a prophetic story for the character. I’m not going to act that the Spawn title has been perfect for it’s entire history. I’ve had some issues with it from time to time. But I find myself still connected to this character and world. And that’s most likely because Spawn’s creator still owns him and is passionate about him. Cheers to whatever lies ahead! Just make sure the writing doesn’t get as awkward like it was in this old issue and you should be fine.

TV

My Thoughts on All Members of The Umbrella Academy (Seasons 1 – 3)

Leave a comment

I really want to talk about this show. And I feel the best way to do that is by talking about the main characters and looking on their growth. Let’s be honest, the overall stories for each season is roughly the same. There is an abstract threat that will cause the apocalypse as well as a more physical threat somehow connected. That part of this show isn’t as important as the characters. As well as the trauma they are trying to resolve and their efforts to become better people. With that in mind, I wanted to air out my thoughts on all members of team.

I want to start with Luther & Diego. Because they actually do have a few things in common. Both have been driven by a subconscious need to seek their father’s approval. That usually means both end up focused on the mission at hand. Which often results in them making decisions without the input of their other family members and can cause more harm than good. But with Diego, I ended up really hating him when the third season came around. He is constantly trying to fight everyone and everything he deems a problem without considering any other way to handle the situation. He is focused on being a vigilante first and foremost. I will grant that at the end of the third season he does have something to fight for besides simply being in charge. But that doesn’t cancel out that is often at odds with what his other family members are doing to try and resolve their bigger problems.

Luther on the other hand doesn’t go that far. Yes, being a team is important to him. But he is more concerned about fitting in and actually being a part of the family. There is one point in season 3 where he feels that they really aren’t a family, but rather people connected through shared trauma. And you can understand why he wants to keep everyone together in the beginning of the show and fit in. After he is mutated by their father, he just ended up being shipped off to the moon where he was utterly alone. His journey to try and feel a genuine emotional connection with his family is understandable. And yes, there were times at the beginning of the show where he makes wrong decisions that risk splitting them further apart. But he does show some level of regret and remorse. That’s why when he gets a relationship in season 3, I do feel happy for him. OK, it does start pretty much out of the blue. But by the end I have come to care for that relationship.

Let’s then move on to Klaus. Easily one of my favorites characters on the show. The main thing to understand about him is that he just wants a peaceful existence. While there might have been times early on in the show where he seems to enjoy some of the drama playing out, there are more instances where he is trying to stop things from escalating. He ultimately just wants everyone to get along and find their inner balance. I’m tempted to say he is the character probably most in tune with his emotions. But then again, he is a drug addict that tries to ignore his own trauma than confront it. Yet he still ends up putting in effort to try and grow and deal with his own issues. And he is perfectly willing to help his other family members with their own problems as well as help with the bigger issues facing their entire unit. He is a delightful character to watch on screen for the comedic moments but also for his own personal journey.

And now we move onto Allison, Five, & Viktor. This batch…is a lot more complicated. Let’s start with arguably the easiest to talk about, which is Five. Another one of my favorites, and that’s partly because he is technically an old grouchy man in the body of a young kid. Something about that just speaks to my own personality. Anyway, he spent decades alone at the end of the world until he was recruited to be a time traveling assassin. He is obviously the most experienced, disciplined, and focused member of the Umbrella Academy. He makes the most progress in dealing with the larger threats and coming up with plans to save the world on multiple occasions.

But he is also arrogant, mean to his other family members, doesn’t communicate with his family about what he’s doing – simply put, not the easiest to get along with. A lot of this can be explained by his past. He spent years and years alone in a post-apocalypse landscape. It would make sense why he would often not communicate with his family about what he’s doing. But as someone who ended up spending just as much time working under the thumb of an organization, you would think he would come to understand when communication is important from a strategy viewpoint. Five has spent so much time being alone and doing morally questionable things that his philosophy is often mixed and a bit contradictory. That latter part we’ll circle back to. But there is a little time spent in season 3 where he does seem to let the fact he is reunited with his family sink in. Where he is allowing himself to feel instead of using cold logic and thinking to deal with everything around him. Definitely one of the most sympathetic characters on the team.

But then there is Allison. Poor Allison…she started off as one of the most like-able characters on the team. But then the third season happened and the show put her through some harsh struggles. Granted, some of that struggle is a result of what she went through the first first couple of seasons. But the main issue she has to deal with is that she is in a new timeline where her daughter never existed. This is the main thing that drives her character arc throughout season three and it’s understandable. But it is also frustrating to see what happens to her and what she ends up doing. She is mean and more violent in the third season. Picking fights in the middle of the night, using her voice power to force Luther to almost have sex with him against his will. Meaning she tried to rape him. And when she found out that Harlan – who used to be a young boy that Viktor helped raise back in the 1960s in Dallas and accidentally gave powers to – was the person who killed the mothers of all the Umbrella Academy members…she killed him. And she would later admit that she didn’t feel better or worse afterwards. She didn’t feel a thing when it came to taking a human life.

Here is one of the things that can be frustrating about this show. It can be argued that this is a deconstruction of superheroes. Or that it really isn’t even about superheroes, but just a dysfunctional family trying to deal with shared trauma. And there is a case for that. This show is based on comics from Gerard Way, who was heavily influenced by Grant Morrison’s run on Doom Patrol. Gerard would even go on to write for Doom Patrol for a short while. But there are multiple times on the show where it makes clear that most – if not all – of the Umbrella Academy sees themselves as superheroes. There is a conversation between Five & Viktor towards the end of season 3 that I found a bit…wrong. This conversation follows the aftermath that Viktor was hiding the revelation about what Harlan did – on accident remind you – and lied about turning him over to the Sparrow Academy who would undoubtfully murder him in retaliation for him accidentally killing a couple of their members. Viktor lied about turning over Harlan so that he could try and take back the power he gave him. Even though this would complicate the larger issue of gaining access to the source of the Grandfather Apocalypse within the Sparrow Academy and figure out a way to save the world.

Anyway, the conversation between Viktor & Five feels off to me. While Five admits that they are all worried about Allison and what she did to Harlan – as well as the way she chewed out Viktor in front of them – he is more worried about Viktor. This is understandable because he did technically go against what the rest of the family agreed on and risked the end of the world. But there is a specific part of this conversation that I’m going to paraphrase here. Five defines a supervillain as a superhero who works alone and doesn’t listen to anyone. And while he hopes Viktor never becomes one, he won’t be afraid to kill him if it ever comes to it.

This…really gets to me. Five isn’t technically wrong with his supervillain definition. Yes, villains do often work alone and they often become villains because they are so convinced that their stance on something is the only way and refuses to compromise. But the tricky thing about this definition is context. These specific traits don’t always apply to supervillains. The way I see it is this – supervillains are driven by selfish needs. Sometimes a selfish need to prove themselves over everyone else. And they do it at the expense of innocent people. Not caring if they hurt or kill them. Viktor risked a lot when he went against his family’s plan in regards to Harlan. But he was driven by a need to save someone from certain death. Even trying to take back the thing that has been a burden on him for his entire life. And keep in mind, Harlan didn’t mean to cause any harm. He was someone who struggled to keep in control of his powers. He had no training unlike the Umbrella Academy and he held onto a lot of regret and guilt that were the result of his actions.

There is a lot of nuance around the topic of when is it OK to take a life. Certain situations such as protecting yourself and wartime are considered OK for that, even if it is at best a morally gray area. But superheroes are meant to save people no matter what. The phrase “there is always another way” can be overused in this context, but it’s the truth. And it can applied in this case where Viktor didn’t need to lie to his family. The entire team could have realized that there has to be a better way to deal with their situation that doesn’t involve someone like Harlan dying. And let’s not kid ourselves, the Sparrows would have happily killed Harlan. I also want to point out that despite the argument some of the Umbrella Academy make about how one life isn’t as important as saving the entire universe, there came a time when several of them ended up saying no to a plan that could reboot the universe and save everyone. Yea, some of those same Umbrella Academy members said no to that plan and elected to just let everything end. This is why superheroes aren’t nihilists, it makes them make dumb decisions like that!

I do know some of the arguments about why some of them decided not to go with that plan. Doesn’t really make it right but I know and understand them. Which is why when you realize what does happen to get them all to go through with the plan, it makes them look selfish. I’ll concede that Viktor is one of the people who passed on the plan, which doesn’t mean it was the right decision. I just want to point out that Five – the same guy who argued that saving one life isn’t as important as saving the entire universe – also passed on the plan to reboot the universe and brings billions back to life. The same guy who in that conversation with Viktor identified himself as one of the superheroes. An assassin who killed people, regardless of motivation, and doesn’t communicate with his team or even sometimes listen to what they have to say in case what they have to say could be important.

The point of that long rant is this. Allison has become a villain. And despite a last minute attempt at redemption, I still view her as a villain for what she did, how she felt about it, and the way she treated Viktor afterwards. And Five, despite wanting to stop apocalypses, shouldn’t really be classified as a hero either and that he was willing to go through with decisions that went against his view of himself as a hero. Which finally brings me to the final member of the Umbrella Academy, Viktor.

And it’s here we need to address something important. In between seasons 2 and 3, the actor who portrayed this character came out as transgender. The actor formerly known as the woman Ellen Page came out as a man and is now Elliot Page. The people behind the show were very supportive of him and even incorporated this into the show for his character because his character had previously been a woman named Vanya. While there were concerns about how the show would handle this transition, they ended handling it with a lot of care and respect. It is acknowledged and other members of the Umbrella Academy where supportive when their sibling came out to them within the show’s season. I can be nit picky about how I think two characters should have switched their reactions to the revelation, I will still give the show a lot of credit for how it was handled. And it does make sense for the fictional character’s journey. The seventh member of the Umbrella Academy had felt overlooked and ignored their entire life because it was believed they didn’t have any powers. And when it turned out they did, they were at first seen as a threat to take down instead of a family member to reach out and connect with. And when given a clean slate via time travel, they were able to discover who they were away from the trauma and family. Being transgender wasn’t the only trait of this character. But it is an important part. The show did a great job finding that right balance.

Even if this wasn’t a part of the character’s journey within the show, Viktor still is my favorite of the Umbrella Academy. The entire focus of his journey from the beginning was to connect with his family. Which speaks to a lot of the issues that the other Umbrella Academy members deal with. More often than not, they split up and end up dealing with their own issues and problems alone with no supports. But Viktor wanting to make amends for some things he has done in the past and want to help out his family with their own makes him the most sympathetic and kindest character. Even when he was apparently at risk of becoming a villain according to Five’s bulls*** logic in season 3, he refused to believe that any amount of death was justifiable for the greater good. Which is exactly the kind of mindset a true superhero should have. Yes, he has issues in previous seasons where he has unwittingly become an obstacle for his family to deal with. But it is clear that unlike Allison in season 3, Viktor feels regret and guilt and wants to do better.

And there you have it. All my thoughts on all of the Umbrella Academy members. I even ended up going over some plot points that should indicate how I feel about the show so far. There is nothing left but to hope that the Umbrella Academy finally resolves their issues and start to feel and act like a real family.

Comics

What the Future of Spawn Should Include

Leave a comment

Spawn is a pretty good representation of what the 1990s were in terms of look and atmosphere. The title has represented both the best and worst of what the era had to offer comics. But it was smart enough to recognize the bad stuff in the early days and phase them out. Regardless, the 90s style of the character and series is a big part of what made the character to so popular. What I’m referring to is action, dark atmosphere, violence, brooding, that sort of thing. But this book knew how to properly utilize and present it for the most part. These are all elements that connect to the heart of Spawn and what his stories are about.

But now that so much time has passed – achieving major milestones and now expanding with new books – it’s time to make some changes. I’m not talking anything major. The last thing I want is for this series and universe to become like DC and Marvel in terms of tone and approach simply because it’s trying to copy their success. Todd McFarlane knows how to handle his creation and make it distinct from everything else. And let’s face it, Marvel & DC have made more than fair share of mistakes in terms of creating content and guiding their characters. The one major change I’m suggesting is more about adding to the universe than taking anything away. Spend more time letting the characters…just live.

That admittedly sounds confusing, so allow me to explain. One of the new Spawn titles is focused on Gunslinger Spawn and his solo adventures. Brought into the present due to events in issues 300 & 301, this Hellspawn’s journey is about finding his way back to his own time while dealing with characters and events in the present. There is of course action and mystery laying out future potential storylines and enemies. But there have been several moments in this series that have taken me by surprise. There is a bit where Gunslinger is genuinely confused and curious about the existence of an indoor toilet. And he is perplexed about the existence of plumbing. This was a funny joke, but made funnier and more surprising by how logical it is. He does come from a time where something like this doesn’t exist. It makes sense why he would ask questions about something like this. Also, despite knowing how to study a map he admits he can’t read. Makes sense and is pretty humorous.

In a separate issue, it opens up with him learning from a woman how to properly hitchhike. She shows him how to properly hold out his arm and how to use his thumb. And when he gets picked up, he isn’t mean to the driver or just giving him the bare minimum of courtesy. It seems like the two of them had a decent time in each other’s company during the short trip to Gunslinger’s destination. He even shows some level of affection for a couple of the wolves guarding his stuff. Long story short, these are moments that help create a personality for the character that doesn’t advance the story. It creates small humorous, and sort of wholesome, moments that make it more fun and engaging to read.

The major thing I think the Spawn universe should do moving forward is to have more moments like these. Show what the characters are like, have them interact in ways that aren’t focused on missions and show them create friendships. Up until this point, we haven’t seen a lot of that. There was Nyx before she was killed in issue 300 – and yes, I’m still angry about that and want her resurrected. Right now in the King Spawn title. Al and Terry are working together, but Terry for sure doesn’t like being in that situation and their relationship is fractured at best due to their history. The new characters that are being introduced and focused on should be the main focus moving forward. Obviously we can’t get rid of Al, that would be going too far. But have more stories with Gunslinger Spawn and Jessica Priest and the rest where they have moments of them just being themselves. Bonding in ways that Al seemingly lost the luxury to have with his newfound mission to wage war on the supernatural forces trapped on Earth.

The best existing example I can use for comparison is the JSA from DC Comics. There were issues were the team members weren’t on missions and just spent time with each other dealing with the day to day stuff. Some of that if properly translated to the Spawn universe and breathe some new life and creativity that can help it evolve. I’m suggesting this because I don’t want Spawn to end. Hopefully we do get some of that down the road once the new titles have been around for a little longer. Here’s to 30 more – if not more – years of the Spawn universe!

Comics

The Strange Story of Blossoms 666

Leave a comment

Archie was my first exposure to reading comic books. Sure, as a young kid I was into superheroes. But that was through other media & adaptations. Such as the Sam Raimi directed Spider-Man movies, or the various animated kids shows based on characters like the Justice League or the Teen Titans. My family used to have this cabin and there were some old collections of Archie comics I found back during the summer right before ninth grade.. There were a few of those large collections collecting various different issues. The most intense it got was Archie trying to figure out how to the movie theater while on two separate dates at the same time while Moose was trapped in roller blades and constantly running into other people. Fast forward to college when I saw the CW was making a Riverdale show and I was at first surprised by it’s really dark tone. But also kind of digging it for the first couple of seasons. This ultimately lead me to discover the existence of Archie Horror and the story in question.

The basic plot is that Cheryl & Jason Blossom are the children of Satan worshippers and one of them is destined to become the Anti-Christ. But it’s sort of like a contest/competition where the two of them are trying to out-evil the other by manipulating people in town. But wait! There is a third sibling that neither of them knew about – Julian Blossom. He arrives in town and now Cheryl & Jason are scheming together to get rid of their competition.

Right off the bat, I think the art work for this mini series is pretty solid. It takes a semi-realistic approach to how it depicts the characters and their world. And it has a variety of different of colors on display. All though it does lean towards the darker shades and of course red definitely has it’s fair share of page time. But I think some of more eye catching art you will find are the designs from the individual comic issues which are included in the trade. It embraces the supernatural aspect in a more flashy display.

As for the story itself, it is pretty solid. It does have a sense of fun and a touch of dark humor. Characterization for the main players are vaguely similar to how they are in the CW show with a few exceptions. Jason is more similar to Cheryl and their parents are surprisingly decent people, devil worshipping aside. But Betty and Jughead are still similar enough to their TV actors which would help bring in fans of that show. But even if you aren’t a fan of the show, they still work well in the context of the mini series. But there are a few problems that do kind of bug me.

Julian makes his surprise appearance at the end of an issue, which in itself isn’t bad. But it’s in issue two and this is a five issue mini series. It doesn’t give the story a lot of time to build tension between the three siblings. I think the thinking is that they waited on that reveal because they wanted to give us an idea of how Jason & Cheryl normally act in Riverdale and how Julian’s appearance changes life for them and the town. And the timing would make more sense of this was a six issue story. But it probably should have happened at the end of issue one. There are also a couple of cutaways to an unidentified dead body as well as an unseen person throughout the story. At the end, it’s revealed this is Julian after his siblings killed them. The implication is supposed to be that he came back from the dead and is now returning for revenge. But at first, I thought the story was implying a time loop where the events of the story play out over and over again. That could have just been my stupid brain interpreting it that way, but those cutaways do seem a little out of place at first.

Speaking of the story implying Julian comes back from the dead, the series also has another cliffhanger. Betty does investigating and digs into Riverdale’s dark past and Jughead gets s little too involved in Cheryl & Jason’s games. The two of them end up getting together at Pop’s diner and they try to come up with a plan of what to do with their information. But as far as I know, this story doesn’t have a sequel nor are there any current plans to continue the mini series. That combined with Julian resurrecting does feel anti-climatic when you come across that realization. And personally, I think it would be really cool to have the Blossom siblings use more obvious supernatural abilities. A little something to really show off that these are potential dark rulers of Hell with a wide arsenal of tricks and magical powers.

Having said that, it isn’t a bad story. I still find myself enjoying it. Though that could be me just being a big fan of Horror in general. It’s a more tame example of what the Archie Horror imprint has to offer. I mean, with other titles like Afterlife with Archie & Chilling Adventures of Sabrina, this does feel the most grounded. Think of it like a gateway to discovering a bunch of other cool Horror stories, whether it’s from Archie or elsewhere.

Comics

Let Grief Run Its Course: A Look at The Crow

Leave a comment

Losing someone before your ready to say good-bye is a tragic event. And its one that happened to James O’Barr, whose fiancée passed away. His mind picked apart how it happened and blamed himself for who knows how long. That pain & anger demanded an outlet of some kind. And so, the story known as “The Crow” was first published in 1989.

In the story, Eric and Shelly were engaged when a group of criminals attacked them when their car was stalled. He was forced to watch as they physically & sexually assaulted Shelly until they were done and they put a bullet in his head. One year later and Eric has come back with one purpose – to seek vengeance against the ones responsible. Some readers might view Eric as a hero not unlike someone such as The Punisher. The fact this comic was printed in black & white does vaguely give it the impression that the world in this story operates in the same way in regards to moral judgement. The bad will ultimately be punished while the good are rewarded for their hardship and good deeds.

But this isn’t a story about a hero. Despite Eric’s resurrection having the makings of a magic-based superhero, that is not what the story is about. In between hunting criminals, we see Eric do a few other things. He talks to a young girl who is going through her own kind of suffering and connects with her. By the end of the story, he makes an attempt to make sure she has a chance at finding something better. But mostly, he loses himself in his memories. Remembering the woman he lost and wallowing in the grief he still feels. It is only after he finally kills all those he deems responsible that he is forced to confront that pain and find some sense of closure. Enough for him to finally find some rest and peace.

Some of you are probably most familiar with the 1994 movie adaptation. It is a great movie, no doubt about it. But there is one difference between the two version that does make the meaning of the story slightly less impactful. The movie gives him a limitation that he is forced to work through during the climax. A way for him to die before his mission is complete. But the comic places no limits on Eric. That is because Eric should be seen as the personification of Grief itself. All the pain, sadness, and anger that comes with it. It is a force of nature that can’t be stopped. A force that attacks everyone and everything in its path. The silver lining is that the people getting hurt are irredeemable criminals. But the bloodshed alone isn’t enough to bring peace to him. It’s only when he feels like he is ready to move on that he doesn’t feel as bad anymore.

Many people deal with grief in their own way. But it’s important that you don’t bottle it up. Later on, that can erupt and become more destructive than the story printed on these black and white pages. A color palette that doesn’t distract too much from the reader having to look at what is happening and reflecting on the events. It all clearly touched a lot of readers as many still read it or watch the movie version and find a connection to the emotion being depicted. There are a lot of quotes that are memorable from “The Crow” but there is one that feels most appropriately right here:

Life is lousy with hurt but it also shimmers with beauty. Don’t miss your chance to be a part of that beauty. You may not get another.

Comics

The Eternal Nature of Spawn

Leave a comment

The mid to late 1980s saw the release of a couple of graphic novels that would forever change the comic industry. Both “Watchmen” & “The Dark Knight Returns” had dark storylines that integrated mature themes not usually associated with comics, as well as explored complex philosophies/ideologies. After receiving widespread acclaim from within and outside the comic book community, comic book editors and creators took the wrong lessons from those books. Working under the assumption that comics need to be more dark and include intense violence, we got a lot of stories and characters that would define the industry for the early to mid 1990s.

If you read comics during this time period or you sought out books from this era, you are probably familiar with the most common traits across various titles. You have characters carrying these huge overdrawn guns. Ones that make you ask how the Hell can that guy hold that with just one hand. Characters that are constantly growling or expressing anger and never showing any other emotion to help you truly connect with them. The rise of the anti-hero, characters willing to kill or do ethically questionable things to achieve their mission. While the concept of the anti-hero isn’t inherently bad, it was over-exploited during this time and not always well executed. And while the industry always had an issue drawing female characters sexy and not fleshing them out, it was probably at an all time high during this time. Basically, these years weren’t the highlight of comic book history. While some good did come out of it, there is a lot of underwhelming. A lot of titles and characters created during this time have mostly fallen into obscurity.

But why has Spawn prevailed? After 30 years and now attempting to create it’s own universe like DC did in the 1940s and Marvel in the 1960s, he is still around with a strong fan base. To answer that question, you have to look at his origin story. For most people who don’t read comics this is the probably the only part of Spawn they would be familiar with. But it also touches on the best stuff of the character. Al Simmons was a solider and special agent serving his country. But he was betrayed by the people he worked for and killed by his own during a mission. He gets sent to Hell where he is offered the chance to see his wife again. But it came at the cost of serving as one of that realm’s soldiers, a Hellspawn. And when he does return to Earth, five years have passed and his wife has remarried his best friend and they have a kid. He also has to regain his memories as he fights against foes – human and supernatural – who try to manipulate him for their own ends.

The story of Spawn is one that touches on a few universal themes. Mainly the idea of second chances and redemption. Al isn’t a perfect person, as many different issues over the years will showcase. But he is someone who tries to do what he thinks is right. Which is what all of us aspire to. And even though his life has been destroyed and he has lost everything, he finds a way to move forward and make the best of his situation. Making better choices and break free from the influence others have had on him, before his death and now as a Hellspawn. This universe also establishes that Heaven isn’t all what it appears to be either. The relationship between Heaven and Hell reveals that it doesn’t truly matter if your an ethically good or bad person. Where you go to once you die is random…for most people. But it is revealed that Al and his ancestors have been manipulated so that he follows a destiny of becoming the Hellspawn to start Armageddon. And while that war does come, Al takes on both Heaven & Hell and wins Armageddon in defense of mankind, who are used only as soldiers by both forces. Years after Al beats them, he ends up closing the doors to both realms. No more angels or demons can come or leave Earth. Their influence on a cosmic/supernatural level has been taken away. And now Spawn is there to take on who remains and make sure that humans have the freedom to make their own choices and be free of manipulated destiny.

Spawn is the story of realizing you don’t have to be perfect to be good. You could make questionable choices but as long as you do what you feel is the right thing to do, you will be all right. As long as you get to decide what you make for yourself and not let someone else decide for you. These ideas, accompanied with some truly great artwork and imagery and the writers realizing what works for Spawn while getting rid of the weaker elements, connects with everyone and has made sure Spawn has endured for so long. And hopefully he keeps being a strong presence for many years to come.